But the tuner and DI out are always active, for continuous monitoring of the signal. In tuner monitoring mode, the stompswitch still mutes the output, for silent tuning. When the tuner isn’t muted, the pedal essentially drops out of the signal chain. The VS-S operates in two modes – true-bypass and tuner monitoring in true-bypass, the signal from the 1?4″ output is muted and routed to the tuner. And its 21?4″ x 11?8″ backlit display is easy to read in any lighting condition. There are also small dip switches in the battery compartment for selecting tuner mode (true-bypass or tuner monitoring) and lifting the ground on the XLR output.
Controls are straightforward and include a true-bypass stompswitch and two microswitches for changing modes and calibrating. a baseball bat section dedicated to this) with its chassis-mounted 1?4″ input/output jacks and balanced XLR output. Housed in die-cast aluminum, the VS-S oozes durability (Peterson’s website has a StroboStomp vs. The Peterson VS-S StroboStomp is a compact (5″ x 4″ x 23?8″) unit that will fit in any pedalboard, yet surrender nothing to its big brother VS-1 or to any strobe tuner of yore. In 2001, it took the technology into the digital age with its VS-1 Virtual Strobe Tuner, and in ’04 brought the concept of hyper-accurate tuning into the realm of the pedalboard. Since the mid 1980s, Peterson has been the only company in the world building strobe tuners.
PETERSON STROBE TUNER MANUAL PROFESSIONAL
In the late ’60s, its Model 400 strobo-tuner was one of the most popular tuners on the scene, and appeared on stage with the Grateful Dead, the Who, Frank Zappa, Pink Floyd, and other top-notch professional acts. Peterson Electro-Musical Products may not have invented the strobo-tuner, but since the early 1950s, it has been a major player in the electronics field as it relates to instrument tuning devices.
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